It seems to me an avatar of the eye is directed in these stories . The story 102 is paralyzing: "The Eye inimaginaire" could be that of a corpse ("inimaginaire 'real, I was not dreaming, but also" unimaginable "that escapes me still), not parted eyelids reveal that the reflected light of the living. Less dramatically, the sleeper is surprised in his sleep, or awakening. It reminds me of these verses of Paul Valery: "... despite missing the soul, into hell busy, / Thy pure form in the stomach fluid drape an arm, / Sleep, watch your form, and my eyes are open. "(" The Sleeper ", in Charmes). As if, like the poetic verse, photography operated like a charm, capable, who knows, to watch at the entrance to hell, to capture the eye ajar something of the unfathomable mystery of sleep, the other on the other when he sleeps. In the "Pretext O" 42 story, the short round of picture to picture, as a fundamental symbol at work in the arch of a railway station in clay, metal, water, glass, basketry. The photographer is the deciphering of the symbols, the aim is the medium between the visible world and the world intelligible. The circle is also the wheel in the Chinese Cemetery Photo 10: Wheel with eight spokes, eight directions of space, symbol the world (the hub is the still center, the perimeter is the radiation). It is also the round glass prism additional photo 6 of 42 story, or that of "two centers" of the story 4, still another center around which turns the world of the photographer. New cosmology that fits in your hand, which firmly grasps the glass as if it were the only reliable axis, which holds a heart, the story of their hearts on hand in the photo 5 of 24 story, " Meditations independent. "
The reticle is also round, where it is: the dog in the crosshairs (picture 8, story 42).
0 comments:
Post a Comment